| The Emperor's Snuff Box | [] | (1942) |
| Author: Carr | Detective: Kinross | Type: CD |
Publisher's Blurb Beside the dead body of Sir Maurice Lawes are the shattered remains of a snuff-box that once belonged to Napoleon. These fragments tell a tale, or rather two tales, one true and one false. How an English expert in criminology forces the evidence to 'tell' the truth about what happened and to point out the real murderer makes for what Time called "a brilliant exercise in detecting and chilling adventure in villainy." [Carroll&Graf edition] |
Comment 1 (Grobius) Set in a French Channel resort; least likely suspect is guilty. Detective: Dermot Kinross, Psychologist, a one-shot. Carr could have made him a series character -- he must have been searching for new ones then, Col. March for example, but there just wasn't enough there so he put him away with the 'zizipompom' line. An excellent piece of misdirection, one of Carr's cleverest; the hypocrisy of some of the characters is well done too -- the sleazy villain comes across better than the upright fiancé.
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Comment 2 (The_Thin_Man) If I had to choose a single novel whose characterisation was Carr's strongest, this would probably be it. (Although "The Waxworks Murders" and "The Ten Teacups" would come pretty darn close.) It's a tour-de-force whose twists and turns SHOULD be obvious, but somehow aren't. The characters are certainly better than the plot - the "red herrings" in particular are very intrusive - but the idea of evidence pointing "both ways" is good. (It's also blatantly stolen from Agatha Christie's "The Seven Dials Mystery", which contains perhaps the best piece of deception in any mystery story.) Toby in particular is a brilliant portrait. My advice is to forget "Snuff Box"'s flaws and wallow in its glorious strengths. |
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