Note: This is the beginning of a story-in-progress. In general, it is meant to be a pastiche in the Carr manner but with some tongue in cheek (and perhaps a touch of Michael Innes and Conan Doyle). It is open to all members to add to it. Please go to the Forum and click on "John Dickson Carr Pastiche" near the bottom of the page to make your entry. There are some hints at the end of this 'chapter' describing possible developments in the story -- try to retain them but feel free to embellish. Each entry should be about the same length as this opening section and end with a cliff-hanger that the next contributor can carry on from. It is not necessary to add the filler material, just the Carrian set-pieces, but summary explication of where we are, how, and why should be provided in square brackets. Forum members are requested to vote which entries are to be included in the final product. Please be advised that the story, if it comes to a satisfactory conclusion, will never be sold for publication without agreement from the contributors. (I also have to say, being an unimaginative and lazy person, that I have no idea what the solution to the mystery should be.)
-- Grobius, 23 Jan 2004


Death and the Vanishing Goblin

A detective story featuring Professor Arthur Taliban

As with many of the great cases of Arthur Taliban, Professor of Medieval Studies at the University of Hereford, it all began in a pub. To be more specific, in the Saloon Bar of The Green Dragon in Stoke Pidgeon-on-Wye. That Professor Taliban lived in the flat on the top storey of this establishment is beside the point. Let it just be noted that a group of regulars, including myself, Kent McWithers, transplanted Scotsman from Pittsburgh and erstwhile detective-story author and professional tailor, were used to gather for convivial conversation and perhaps somewhat too much in the way of spirits, on those dark winter nights, before the fall of an even greater night, in that glorious time just before Hitler's War. Arthur Taliban, or Magister as we were wont to call him, had already established his reputation as a solver of strange criminal cases that baffled the police of our agricultural county on the storied and once tumultuous Welsh border near Offa's Dyke. That his brother Sir Thomas was Chief Constable of the area, and his cousin William Thelford the Superintendent of County CID, may bear some importance in that matter, but does not detract from Magister's brilliance as a detective nor suggest that he had 'inside' clout when it came to dealing with such events or even getting involved in the first place.

On that miserable wet January night, with its howling winds and cracking trees, we all gathered in the 'snug', each with his favorite tipple, and blessed ourselves for our good fortune not be be abroad in such foul weather. A nice fire was blazing, and Magister sat in his assigned armchair by the inglenook. Indeed, it was the only piece of furniture in the place adequate to carry his great bulk. On this evening, only three others dared the storm to visit The Green Dragon -- it would have taken a typhoon to keep us diehard drinkers from our favourite place after the daily grind of our diverse occupations was over for another day. There was only one additional person, a stranger to these parts, who was staying in one of the guest rooms at the inn. His name, as he told us, was Frederic Follen, and he was an antique dealer from Shrewsbury on one of his habitual mid-winter hunting expeditions. The rest of us -- Taliban, Superintendent Thelford, Amos Louth, the village schoolmaster, Bertie Wister, the doctor, and myself (and of course our host, landlord Jerry Ink, who poked his nose in frequently to resupply our glasses, if you will forgive my ineloquent phrase) -- were glad to welcome a new face to our gathering, as Mr Follen showed great talent as an anecdotal speaker and displayed an erudition about his trade that was interesting to us, ever curious as to the details of how others make their living. Isn't it always the case that we find other people's professions, however dull in reality, so much more fascinating than our own?

But you do not want to read of such trivia as was discussed earlier in the evening -- well, it was not trivial for us, but would certainly bore the reader. It was when Mr Louth happened to refer to the famous carved pews of St Dismas Church down the road, that Mr Follen remarked, "Strange that you should mention that. I am in somewhat of a quandary over a recent acquisition, and I should be glad of your opinion." At which point he excused himself to go upstairs and bring down his 'acquisition'.

And what a strange object he revealed to us! It was an oak carving of a goblinesque gargoyle of a late medieval type. As an expert in medieval art, Magister was thrilled. "It is definitely part of a misericord," he said, stroking the object with loving hands. "Obviously not from our church, but of a period with it. May I ask where you obtained it?"

"That I cannot reveal to you. It was bought by me under circumstances of utmost confidentiality. I cannot say more, but that it was fairly gotten. In fact, it will be some time before I can recover what I spent. You can see, however, that it is a genuine piece, say late 15th-Century. Ugly devil, isn't he?"

Having relighted his reeking pipe with many sucking and gurgling noises, Magister grumbled in his usual rude way. "Pah! In these days of punitive taxation -- outright robbery I call it -- many of our neglected stately homes have been forced to divest themselves of such venerable heirlooms. I shan't probe any deeper to discover its provenance, although I can come up with an inspired guess as to where it came from. We will say no more of the lady."

"I mentioned no lady," said Follen. "But you are near enough in your deduction. Sadly to say, others' misfortune is often the making of my own good fortune. If you examine it closely, though, there is something of a mystery. And I gather that sort of thing is in your line of interest. See, here, where it is chipped. Is that a blood stain?"

Thelford quickly reached out and took the carving in his hands. After careful examination he said: "As a policeman I can only say this has definitely been soaked at some point. There is no way to tell whether that is blood or not, and in any case it must be many years old."

"You are wrong, there, Bill," Taliban said. "I noted the stain first off, and I should say it is certainly blood, and but recently dried. And if I am not mistaken, that little white chip embedded there is part of a tooth. Wouldn't you agree, Wister? Mr Follen, I believe it would behoove you to be a little more forthcoming now."

Follen snorted. "That cannot be. I have sworn not to mention where I got my goblin chappie. But I can tell you this, that the carving has been ensconced these past two hundred or so years as a wall decoration until this very afternoon when I removed it myself -- with great difficulty I might add. If it was used as a bludgeon, that was well before our time. What's more, there is a legend behind... -- What's that noise!"

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Some clues to development: (1) Gargoyle came from nearby Thornhaven Castle, decaying home of the dowager Mathilde Fairbury (Lady Thornhaven), and her 'ginchy' grand-daughter, Isabel; (2) There is an ancient manuscript describing the provenance and strange history of this article; (3) Next day, Thelford is called in to investigate the discovery of an unknown person found beaten to death in a locked wine cellar in the castle -- the body has been there for nearly a week; (4) There are at least five suspects -- (a) Follen (who knows more than he lets on), (b) a gamekeeper with a passion for Isabel, (c) Isabel's fiance, (d) an itinerant preacher/occultist, and (e) 'an old friend of the family' (Dr Wister, no less); (5) The victim can be anybody you can invent, as long as his presence in the house wasn't a matter of burglary by a tramp; and (6) There MUST be a chase scene or some dramatic confrontation at the end.

But the true culprit can be anybody who plays a role, however obscure, in this story, on condition that clues are fairly provided (don't forget Jerry Ink or the so-far unnamed 'descendants' of Silas Hornsby hinted at below). Further note: the locked-cellar mystery must have a Carrian solution, even if a variation of one of his own is used, and Taliban must be shown to detect the clues. (An example of a clue is the use of the word 'ensconced' both by Follen and Hornsby, as you will see by reading the item below, but this is not a hint, because Follen is only slightly crooked and a red-herring suspect to boot. Let's make that perfectly clear. But that doesn't mean that he can't be the murderer! As a matter of fact, I have no idea who the murderer is.) Final comment: Don't take these caveats too seriously -- you can do anything you want to with this plot.

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I can't resist adding this set-piece, which should come around Chapter Five:

The statement of the lawyer

Floor Plan Floor Plan of the West Wing of Thornhaven Castle

Key:
+ -- where the second body was found (the first body was discovered underneath the card room, in the wine cellar)
A -- Hiram Archer Maybrough (the Occultist)
B -- Lady Thornhaven and Dr Wister
C -- Billiard Room: Isabel Fairbury and her fiancé Horatio Pillaugh

The family bedrooms are on the upper floors on the west side, reached both by the main staircase and by the spiral stair next to the card room; there is also a mural stair by the library, reached by a 'secret' passage behind fake bookshelves that leads to the postern gate. The Great Hall, where the gargoyle came from, rises two storeys to a beamed roof. Additional bedrooms, parlours, etc. are in the northeast wing, and the kitchen and servants' quarters in the southeast wing; the east wing has square towers at both ends, with the gatehouse in the middle. A largely silted-up moat surrounds the castle except on the northern, garden side. It is no more than a few inches deep, but its bed is glutinous mud. The windows in the outer walls are narrow and protected by iron bars. Also, the postern gate is kept bolted, with a draw-bar in addition, except on good-weather days. Nobody could have entered the castle in this way, even if admitted, without leaving traces. The main gatehouse contains the servants' hall and was occupied at all critical times, with the gamekeeper on the look-out for the invited guest, Mr Follen, who purportedly never turned up.

Note: There is a web page about Thornhaven Castle on the Imaginary Castles Web Site.

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